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Red

Studio album by

Released

October 22, 2012

Recorded

2011–2012

Genre

Length

65:11

Label

Big Machine

Producer

Scott Borchetta(exec.)
Taylor Swift

Taylor Swift chronology

Speak Now World Tour – Live
(2011)

Red
(2012)

1989
(2014)

Singles from Red

'We Are Never Ever Getting Back Together'
Released: August 13, 2012
'Begin Again'
Released: October 1, 2012
'I Knew You Were Trouble'
Released: November 27, 2012
'22'
Released: March 12, 2013
'Red'
Released: June 21, 2013
'Everything Has Changed'
Released: July 16, 2013
'The Last Time'
Released: November 4, 2013

Red is the fourth studio album by American singer-songwriter Taylor Swift. It was released on October 22, 2012, by Big Machine Records, as the follow-up to her third studio album, Speak Now. The album title was inspired by the 'semi-toxic relationships' that Swift experienced during the process of conceiving this album, with Swift describing the emotions she felt as 'red emotions' due to their intense and tumultuous nature. Red touches on Swift's signature themes of love and heartbreak, however, from a more mature perspective while exploring other themes such as fame and the pressure of being in the limelight. She explained how red can be associated with feelings on “opposite ends of the spectrum.” The album features collaborations with producers and guest artists such as Gary Lightbody of the band Snow Patrol and Ed Sheeran, and is noted for Swift's experimentation with new musical genres. Swift completed The Red Tour in support of the album in 2014, which became the highest-grossing tour of all time by a country artist, grossing over $150 million.

Red was well received by critics and earned Swift two Grammy Award nominations, for Best Country Album and Album of the Year. It debuted at number one on the US Billboard 200 chart, giving Swift her third consecutive chart-topper in the US. Its first week sales of 1.21 million copies was the third biggest debut for a female artist in US history and became the fastest-selling album in over a decade in the United States. It made music history for claiming the biggest first week sales of all time by a country act, the record previously held by Garth Brooks. Red is just the 18th album in United States history to sell one million copies in a single week. It was also a huge global success, becoming Swift's first chart-topper in the United Kingdom, and also topped the album charts in Australia, Canada, Ireland and New Zealand, while also charting in the top ten in every other major music market, including China.

Worldwide, Red has sold 7 million copies as of 2017. It was Swift's third consecutive top-selling album of the year in the United States, managing to be the second best-selling album of 2012 across all genres only two months after its release. This made it the fourth time Swift had an album ranked in the year's top three sellers in the United States. According to the International Federation of the Phonographic Industry (IFPI), it was the second global best-selling album of 2012 with sales of 5.2 million copies.^[1]Red has been certified seven times platinum by the Recording Industry Association of America (RIAA), making it Swift's fourth consecutive album to exceed the quadruple platinum status.

2Critical reception
3Commercial performance
5Promotion
7Personnel
8Charts

Background and release[edit]

Taylor Swift Red Album Free Mp3 Download Zip

Swift during Red's release week on Good Morning America in October 2012.

On August 13, 2012, Swift gave a live webchat to over 72,500 viewers, in which she answered fan questions,^[2] previewed the lead single, 'We Are Never Ever Getting Back Together', and announced her fourth album's title as Red, as well as its release date.^[2]^[3] Swift also revealed the meaning behind her album's title:

All the different emotions that are written about on this album are all pretty much about the kind of tumultuous, crazy, insane, intense, semi-toxic relationships that I've experienced in the last two years. All those emotions — spanning from intense love, intense frustration, jealousy, confusion, all of that — in my mind, all those emotions are red. You know, there's nothing in between. There's nothing beige about any of those feelings.^[2]

During the live webchat, she also revealed that she wrote more than 30 songs for the album, of which 16 were released, and said that much of her inspiration came from dysfunctional relationships.^[3] Contrary to her previous self-written album Speak Now (2010), Swift enlisted the help of several of her favorite songwriters.^[4] In an interview with MTV News, the singer revealed that the album 'is interesting because each song stands on its own. It's this patchwork quilt of different sounds and different emotions, and I don't think anything on the record sounds like We Are Never Ever Getting Back Together'.^[5] She also previewed songs from the album on Good Morning America every Monday, beginning on September 24 until October 15.^[6] Swift performed on October 22 for the album's release, and the next day, she performed a live concert on the same show.^[6] According to the singer she had spent over two years with the recording process, writing and preparation for the album.^[7] Sarah Barlow shot the album's cover, which shows Swift's face, particularly her red lipstick.^[8] The standard and deluxe versions of the album were released on October 22, 2012 in Italy, New Zealand, the United States, among others. The deluxe edition of the album comes with a second disc with three new tracks and the original demo recordings of 'Red' and 'Treacherous' along with an acoustic version of 'State of Grace.' ^[9]^[10]^[11] A karaoke version of the album was also released on February 5, 2013 on the iTunes Store, which includes the instrumental version from all tracks of its standard version.^[12]

Critical reception[edit]

Professional ratings
Aggregate scores
Source	Rating
AnyDecentMusic?	6.6/10^[13]
Metacritic	77/100^[14]
Review scores
Source	Rating
AllMusic	^[15]
The A.V. Club	B+^[16]
The Daily Telegraph	^[17]
Entertainment Weekly	B+^[18]
The Guardian	^[19]
Los Angeles Times	^[20]
MSN Music (Expert Witness)	A−^[21]
PopMatters	6/10^[22]
Rolling Stone	^[23]
Spin	8/10^[24]

At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream publications, the album received an average score of 77, based on 23 reviews, indicating 'generally favorable reviews'.^[14] Jon Dolan from Rolling Stone felt Swift had been influenced by Joni Mitchell and U2, writing that 'her self-discovery project is one of the best stories in pop. When she's really on, her songs are like tattoos.'^[23]Billboard called the album 'her most interesting full-length to date' and said it 'puts Swift the artist front and center with big, beefy hooks that transcend her country roots for a genre-spanning record that reaches heights unseen since Shania Twain's Up!.'^[25]Stephen Thomas Erlewine from AllMusic called Red a pop record that showed almost no trace of country and said although Swift's lyrics about romantic relationships and social anxiety still sound somewhat clumsy, they do not detract from 'the pristine pop confections' that comprise the music: 'If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.'^[15]Spin magazine's Michael Robbins found Swift 'too smart and tuneful to condescend to her contradictions' on the album's augmented pop songs.^[24] In the Los Angeles Times, Randall Roberts was impressed by her ability to incorporate different musical styles as she 'strives for something much more grand and accomplished' than a cynical point of view.^[20]Sputnikmusic critic Channing Freeman claimed that Red showcased Swift's definite transition from country to pop, with music that unlike on her previous records is 'a complement to all of those conflicting emotions that have been present in her lyrics for some time now'.^[26] Jon Caramanica from The New York Times believed that 'each moment of pure pop breakthrough is tempered immediately afterward by a contemplative country moment'.^[27]

Jonathan Keefe from Slant Magazine was less enthusiastic and said as a pop record, it was not consistent enough to be considered 'truly great' because a number of songs lacked Swift's 'usual spark'. Nonetheless, he concluded that 'its highlights are career-best work for Swift, who now sounds like the pop star she was destined to be all along.'^[28] Michael Gallucci from The A.V. Club found Swift's lyrics somewhat more 'deeper and darker', and the music far more ambitious than her previous records, but overall a 'complicated and sometimes unfocused' pop record. He dismissed the duets as boring, while calling 'State of Grace' and 'All Too Well' 'fascinating work'.^[16] Arnold Pan from PopMatters believed some of the songs should have been edited out on what was a transitional album for Swift, who eschewed her country-pop roots in favor of 'beefed-up modern rock' stylings.^[22] Writing for MSN Music, Robert Christgau viewed Red as a minor version of the Magnetic Fields' 1999 album 69 Love Songs. He preferred its feistier tracks but also appreciated the more sentimental songs 'Begin Again' and 'Stay Stay Stay', which 'stay happy and hit just as hard'.^[21]

Accolades[edit]

Red was included on many year-end best-of lists. The album appeared at the runner-up spot on Associated Press^[29] and Idolator,^[30] with the latter saying that 'Red showcased [Swift's] abilities marvelously, in finely hewn details, the most varied production styles of her career and storytelling that remains as emotionally ass-whooping as any artist with her reach.' Jon Caramanica of The New York Times also ranked Red number two on his top ten albums list, stating that '[Swift] goes Day-Glo on the most unexpected moments of this album, her fourth and the first that stops pretending she's anything but a pop megastar.'^[31] MTV ranked Red number three, stating that 'Swift takes tremendous strides towards becoming a genuine artist, the kind equally adept at penning heartbreakers.'^[32] The album appeared at number five on Billboard's top ten best albums of 2012, saying that 'Red will likely be remembered for its sonic risks, with the pop of 'We Are Never Ever Getting Back Together' and the dubstep wobbles of 'I Knew You Were Trouble' pushing the country star out of her comfort zone.'^[33] In January 2015, the album was placed at number 12 on Billboard's list of 'The 20 Best Albums of 2010s (So Far)'.^[34]The Daily Beast writer Marlow Stern ranked the album at number seven, calling it 'an uneven LP that nonetheless contains a diverse array of infectious tunes.'^[35] while Glenn Gamboa of Newsday ranked the album number six, stating that Taylor 'comes out as a full-fledged pop superstar.'^[36]Red also ranked at number ten on both The Salt Lake Tribune and HitFix.^[37]^[38]Rolling Stone ranked the album thirty-first on their album list.^[39]

Songs from the album have received Grammy Award nominations. 'We Are Never Ever Getting Back Together' was nominated for Record of the Year at the 55th Grammy Awards, but lost to 'Somebody That I Used to Know' by Gotye and Kimbra. 'Begin Again' received a Best Country Song nomination at the 56th Grammy Awards. Red also received nominations for Album of the Year and Best Country Album at the 56th Grammy Awards.^[40]

Commercial performance[edit]

North America[edit]

Red was a huge commercial success. In the United States, Red debuted at number-one on the Billboard 200. It became the fastest-selling album in over a decade after selling 1.21 million copies in its first week, and earned Swift her third No. 1 album on the chart.^[41]^[42]Red has the second highest first week sum by a female artist, only behind Britney Spears' Oops!... I Did It Again (2000), which opened with 1.3 million units.^[43]Red had the biggest sales week in 2012^[44] and outsold the top 52 albums in the Billboard 200 on its first week. It has also the biggest one week sales for a country album beating Garth Brooks' Double Live which sold 1.085 million copies in 1998. Red sold 465,000 digital copies in its first week in the US, which is the second biggest after Lady Gaga's Born This Way (2011).^[43] It sold around 1.459 million copies worldwide in its first week of sales.^[45] In its second week on the Billboard 200, the album remained at No. 1 and sold 344,000 copies (down 72%).^[46] Next week Red held atop the Billboard 200 and sold a further 196,000 copies (down 43%) which brought its sales to 1.749 million, thus ranking the third biggest selling album of 2012 behind Adele's 21 and One Direction's Up All Night.^[47] The album was dethroned by One Direction's Take Me Home on its fourth week.^[48]^[49] In its seventh week, Red climbed back to No. 1 on the Billboard 200 selling 167,000 and with that, Swift became tied with Jay-Z and Whitney Houston for fourth most-weeks at No. 1 on the Billboard 200 since Nielsen SoundScan began tracking in 1991.^[50]

With Red spending its sixth week atop Billboard 200, Swift became the first artist since The Beatles 43 years earlier to log six weeks atop Billboard 200 with three consecutive studio albums.

Swift held the Billboard 200 top spot the next two weeks,^[51]^[52] thus making Swift the first artist since The Beatles in 1969 to log six or more weeks at No. 1 with three consecutive studio albums, following Fearless (eleven weeks) and Speak Now (six weeks). Also, this is the third time that Swift has had the No. 1 album in the last week before Christmas, which is traditionally the most competitive week of the year. She also achieved the feat with Fearless in 2008 and Speak Now in 2010.^[53]Red spent its seventh non-consecutive week at No. 1 in the sales week ending December 30, 2012, selling 241,000 (down 12%). This gave Swift a total of 24 weeks atop the Billboard 200 throughout her career, tying her with Adele as the woman with most weeks at No. 1 since SoundScan began tabulating the Billboard 200 in May 1991.^[54] Swift later surpassed this record with the release of her next album, 1989. Red finished 2012 as the second biggest album despite being out for only two months, selling 3.11 million. It makes the fourth time she has an album ranked in the year's top three sellers.^[55] As of November 2017, the album has sold 4,385,600 copies in the US.^[56]

In Canada, Red ranks Swift's third No. 1 album as well selling 93,000 copies on its debut week and has easily crossed the Platinum certification in the country. With that sales, Red became the biggest one week sales in Canada since Michael Bublé's Christmas moved 107,000 copies last Christmas season of 2011 and the biggest first week sales since 2008.^[41] As of May 2013, Red has been certified quadruple platinum by Music Canada with shipments exceeding 320,000 copies.^[57]

Europe and Oceania[edit]

Red was also commercially successful outside the United States. In the United Kingdom, Swift garnered her first No. 1 album with Red with sales of 61,000 copies on its opening week.^[58] In Australia, the album debuted at No. 1 and spent a total of three consecutive weeks at the top, becoming Swift's longest running No. 1 album in Australia; Red was certified 4× platinum by the Australian Recording Industry Association for shipments exceeding 280,000 copies.^[59] In New Zealand, the album also became Swift's third No. 1 album, and has been certified platinum by the RIANZ.^[60] Worldwide, Swift set a new worldwide iTunes Store record for highest ever first-week album sales with 566,000 copies sold digitally around the globe.^[61] Later, this record was beat by Justin Timberlake's album The 20/20 Experience (580,000 copies during its first week).^[62]

Accolades[edit]

Year	Organization	Award	Result	Ref.
2013	Academy of Country Music Awards	Album of the Year	Nominated	^[63]
	American Music Awards	Favorite Pop/Rock Album	Nominated	^[64]
	American Music Awards	Favourite Country Album	Won	^[64]
	Billboard Music Award	Top Billboard 200 Album	Won	^[65]
	Billboard Music Award	Top Country Album	Won	^[66]
	Canadian Country Music Association	Top Selling Album	Won	^[67]
	Country Music Association Awards	Album of the Year	Nominated	^[68] ^[69]
	Juno Award	International Album of the Year	Nominated	^[70]
	Sirius XM Awards	International Album of the Year	Nominated	^[71]
	Telehit Awards	Best Female Pop Album	Won	^[72]
2014	Country Music Awards of Australia	Top Selling International Album of the Year	Won	^[73]
	Grammy Award	Best Country Album	Nominated	^[74]
	Grammy Award	Album of the Year	Nominated	^[74]
	World Music Awards	World’s Best Album	Won	^[75]

Promotion[edit]

Singles[edit]

The album's lead single, 'We Are Never Ever Getting Back Together', was released on August 13 and became Swift's first No. 1 single on the US Billboard Hot 100. The song's jump from its debut position No. 72 to No. 1 was the result of a massive digital demand of the song. With 623,000 downloads, the song placed second among all-time best week sales singles, behind Flo Rida's 2009 hit 'Right Round.' It stayed at No. 1 for three non-consecutive weeks, being displaced twice at the top, first by 'Flo Rida's 'Whistle' and second by Maroon 5's 'One More Night'. The song stayed in the top ten for thirteen weeks and charted for a total of twenty-four weeks. In UK, it peaked at No. 4, giving her her first top ten hit since 'Love Story' (2008) and the song became her first No. 1 song in New Zealand. As of December 2012, 'We Are Never Ever Getting Back Together' has sold more than three million downloads in the US.

'Begin Again' was released to the iTunes Store on September 25, 2012 as part of a countdown to the album release. A few hours after its early release to iTunes, it shot to No. 1, thereby becoming the first single to dethrone Psy's 'Gangnam Style' in a week. The song sold 299,000 digital copies in its first week of release and debuted at No. 7 on the US Billboard Hot 100 chart dated October 4, 2012.^[76] It was later announced that the track, would be serviced to country radio on October 1, 2012 as the second single from the album.^[77]^[78] The song became her seventeenth consecutive top ten hit in US Billboard Hot Country Songs, but also tied with 'Fearless' as her lowest-charting single on the said chart although it reached No. 3 on BillboardCountry Airplay.

'I Knew You Were Trouble' was released as the second international single from Red on November 14, 2012 in UK. In the US, it was released on November 27, 2012 as the third single.^[79]^[80] The song debuted at No. 3 on Billboard Hot 100 with 416,000 copies sold in its first week, Swift's second largest first week singles sales. It became Swift's fourteenth top ten hit and her eleventh song to debut inside the top ten. With sales of 416,000 from 'I Knew You Were Trouble', Swift became the first artist in digital history to have two songs that debuted with sales of 400,000 or more copies. In its eleventh week, it sold a massive sum of 582,000 in the US, making it the fourth biggest digital sales week of all time. It caused the song to re-peak at No. 2 on the Billboard Hot 100. 'I Knew You Were Trouble' became a commercial success, selling over three million copies in the US and reaching No. 1 on BillboardHot 100 Airplay and Billboard Pop Songs, and also reached the top ten in ten countries.^[81]

'22' was released as the fourth single from Red. It was sent to Australian radio on February 4, 2013. It was released in the United States on March 12, 2013. The music video was released on YouTube on March 13, 2013. The song was released in the United Kingdom on April 1, 2013.^[82]^[83] It peaked at No. 20 on the Billboard Hot 100, becoming the first single from Red to miss the top ten. As of May 2013, the song has sold 1,000,000 copies in the United States.^{[citation needed]}

'Red', the album's title track, was released to Country radio on June 24, 2013 as the third Country single.^[84] The song debuted at No. 6 on the US Billboard Hot 100 and at No. 2 on the Hot Digital Songs chart selling 312,000 in its first week.^{[citation needed]} It also debuted at No. 2 on the Hot Country Songs chart, behind Swift's 'We Are Never Ever Getting Back Together'. As of May 2013, the song has sold 1,000,000 copies in the United States.^{[citation needed]}

'Everything Has Changed', which features British singer-songwriter Ed Sheeran, was released as the fourth international single as well as the fourth U.S. Pop/Mainstream single on July 16, 2013.^[85]

'The Last Time', featuring Snow Patrol lead vocalist Gary Lightbody, was later confirmed as the fifth and final international single and seventh and final from Red. A UK release was announced as of October 13, 2013,^[86] and it subsequently impacted UK contemporary hit radio on November 4, 2013.^[87] The release of the single coincides with the announcement of the dates for the European leg of her international Red Tour.^[88]

Promotional singles[edit]

During the four weeks preceding the release of Red, one track was released each week digitally on the iTunes Store after a preview of it had been heard on Good Morning America.^[89] The first of the four promotional singles is 'Begin Again', which was released digitally on iTunes on September 25, 2012.^[90] 'Red' is the second promotional single off the album,^[91] and became available for download on October 2, 2012. 'Red' debuted at No. 6 on the Hot 100 with sales of 312,000.^[92] 'I Knew You Were Trouble' is the third promotional single off the album, and became available for download on October 9, 2012.^[93] The fourth and final promotional single is 'State of Grace', which became available for download on October 16, 2012.^[94] Each of them reached No. 1 on iTunes and the top 15 on the Billboard Hot 100, with 'I Knew You Were Trouble' having the highest peak at No. 2 as Swift's 14th top 10 song. With sales of 416,000 from 'I Knew You Were Trouble', Swift became the first artist in digital history to have two songs that debuted with sales of 400,000 or more copies.^[95]

Tour[edit]

Swift promoted the album with The Red Tour. It was Swift's second tour to perform in major stadiums after the Speak Now World Tour. The tour began on March 13, 2013 in Omaha, Nebraska and ended on June 12, 2014 in Singapore. Throughout the tour, many artists were invited on selected dates, such as Jennifer Lopez, Ed Sheeran (who also served as an opening act), Cher Lloyd, among others. The tour grossed $150.2 million, and became the highest-grossing tour of all time by a country act.

Track listing[edit]

All tracks written by Taylor Swift, except where noted.

Red— Standard edition
No.	Title	Writer(s)	Producer(s)	Length
1.	'State of Grace'	Swift	4:55
2.	'Red'	3:43
3.	'Treacherous'	Swift	Wilson	4:02
4.	'I Knew You Were Trouble'	Martin Shellback	3:39
5.	'All Too Well'	Chapman Swift	5:29
6.	'22'	Martin Shellback	3:52
7.	'I Almost Do'	4:04
8.	'We Are Never Ever Getting Back Together'	Swift Martin Shellback	3:13
9.	'Stay Stay Stay'	Chapman Swift	3:25
10.	'The Last Time' (featuring Gary Lightbody)	Lee	4:59
11.	'Holy Ground'	Jeff Bhasker	3:22
12.	'Sad Beautiful Tragic'	Chapman Swift	4:44
13.	'The Lucky One'	Bhasker	4:00
14.	'Everything Has Changed' (featuring Ed Sheeran)	Butch Walker	4:05
15.	'Starlight'	Huff Chapman Swift	3:40
16.	'Begin Again'	3:57
Total length:				65:11

Red— Deluxe edition (Disc two)
No.	Title	Writer(s)	Producer(s)	Length
1.	'The Moment I Knew'	Chapman Swift	4:45
2.	'Come Back...Be Here'	Wilson	3:42
3.	'Girl at Home'	Chapman Swift	3:40
4.	'Treacherous' (original demo recording)	Wilson	3:59
5.	'Red' (original demo recording)	Chapman Swift	3:46
6.	'State of Grace' (acoustic version)	5:22
Total length:				25:16

Red— French limited edition (DVD) – Live on the Seine
No.	Title	Writer(s)	Length
1.	'Red'
2.	'You Belong with Me'	Swift Rose
3.	'22'
4.	'I Knew You Were Trouble'	Swift Martin Shellback
5.	'Love Story'
6.	'We Are Never Ever Getting Back Together'

Taylor Swift Full Album Download

Personnel[edit]

Credits adapted from AllMusic.^[8]

Musicians[edit]

Taylor Swift – acoustic guitar
Nathan Chapman – bass guitar, drums, acoustic guitar, electric guitar, keyboards, mandolin, percussion, piano, soloist, synthesizer
Peggy Baldwin – cello
Brett Banducci – viola
Jeff Bhasker – bass guitar, keyboards, piano
J. Bonilla – drums, percussion
Nick Buda – drums
Tom Bukovac – electric guitar
David Campbell – string arrangements, conducting
Daphne Chen – violin
Lauren Chipman – viola
Eric Darken – percussion
Marcia Dickstein – harp
Richard Dodd – cello
Paul Franklin – steel guitar
Eric Gorfain – violin
Dann Huff – bouzouki, electric guitar, high strung guitar, mandolin
Charlie Judge – accordion, Hammond B3, piano, upright piano, strings, synthaxe, synthesizer
Gina Kronstadt – violin
John Krovoza – cello
Marisa Kuney – violin
Jacknife Lee – bass guitar, guitar, keyboards
Max Martin – keyboards
Grant Mickelson – guitar
Anders Mouridsen – guitar
Jamie Muhoberac – cello
Neli Nikolaeva – violin
Owen Pallett – conductor, orchestration
Radu Pieptea – violin
Simeon Pillich – contrabass
Wes Precourt – violin
Bill Rieflin – drums
Shellback – bass guitar, guitar, acoustic guitar, electric guitar, keyboards
Jake Sinclair – bass guitar
Jimmie Lee Sloas – bass guitar
Aaron Sterling – drums
Jeff Takiguchi – contrabass
Andy Thompson – guitar, electric piano
Ilya Toshinsky – mandolin
Butch Walker – drums, guitar, keyboards, percussion
Patrick Warren – string arrangements
Amy Wickman – violin
Dan Wilson – bass guitar, electric guitar, piano
Rodney Wirtz – violin
Jonathan Yudkin – fiddle, violin

Taylor Swift Red Album Song Names

Production[edit]

Taylor Swift – songwriting, production
Nathan Chapman – production, engineer
Sam Bell – engineer
Delbert Bowers – assistant
Chad Carlson – engineer
Tom Coyne – mastering
Leland Elliott – assistant
Eric Eylands – assistant
Greg Fuess – assistant
Chris Galland – assistant
Serban Ghenea – mixing
Matty Green – assistant
John Hanes – mixing engineer
Sam Holland – engineer
Dann Huff – production
David Huff – digital editing
Michael Ilbert – engineer
Tyler Sam Johnson – guitar engineer
Jacknife Lee – engineer, production, songwriting, programming
Gary Lightbody – songwriting
Steve Marcantonio – engineer
Manny Marroquin – mixing
Max Martin – production, songwriting
Seth Morton – assistant
Justin Niebank – mixing
Chris Owens – assistant
John Rausch – engineer
Matt Rausch – engineer
Tim Roberts – assistant
Eric Robinson – engineer
Liz Rose – songwriting
Pawel Sek – engineer
Shellback – production, songwriting, programming
Ed Sheeran – songwriting
Jake Sinclair – engineer
Mark 'Spike' Stent – mixing
Andy Thompson – engineer
Butch Walker – production
Hank Williams – mastering
Brian David Willis – engineer
Dan Wilson – production, songwriting

Taylor Swift Songs On The Red Album

Visuals and design[edit]

Taylor Swift – creative director
Sarah Barlow – photography
Austin Hale – designing
Jemma Muradian – hair stylist
Bethany Newman – art direction
Josh Newman – art direction
Lorrie Turk – make-up artist

Singers[edit]

Taylor Swift – lead vocals, background vocals
Jeff Bhasker – background vocals
Nathan Chapman – background vocals
Caitlin Evanson – background vocals
Elizabeth Huett – background vocals ('The Moment I Knew')
Tyler Sam Johnson – background vocals
Gary Lightbody – featured artist, background vocals
Ciara O'Leary – background vocals
Ed Sheeran – featured artist
Jake Sinclair – background vocals
Butch Walker – background vocals
Dan Wilson – background vocals

Managerial[edit]

Scott Borchetta – executive producer
Leann Bennett – production coordination
Jason Campbell – production coordination
Mike 'Frog' Griffith – production coordination
JoAnn Tominaga – production coordination

Charts[edit]

Weekly charts[edit]

Chart (2012)	Peak position
Australian Albums Chart^[96]	1
Australian Country Albums Chart^[97]	1
Austrian Albums Chart^[98]	3
Belgian Albums Chart (Flanders)^[99]	2
Chinese Albums Chart	1
Canadian Albums Chart^[100]	1
Croatia International Albums Chart^[101]	7
Danish Albums Chart^[102]	3
Dutch Albums Chart^[103]	7
Finnish Albums Chart^[104]	49
French Albums Chart^[105]	30
German Albums (Offizielle Top 100)^[106]	5
Irish Albums Chart^[107]	1
Italian Albums Chart^[108]	3
Japanese Albums Chart^[109]	3
Mexican Albums Chart^[110]	4
New Zealand Albums Chart^[111]	1
Norwegian Albums Chart^[112]	2
Portuguese Albums Chart^[113]	8
South African Albums Chart^[114]	4
Spanish Albums Chart^[107]	4
Swedish Albums Chart^[115]	8
Swiss Albums Chart^[116]	9
Taiwanese Albums Chart^[117]	1
UK Albums Chart^[118]	1
US Billboard 200^[119]	1
US BillboardTop Country Albums^[100]	1

Year-end charts[edit]

Chart (2012)	Position
Australian Albums Chart^[120]	7
Canadian Albums Chart^[121]	2
Japanese Albums (Oricon)^[122]	64
Mexican Albums Chart^[123]	56
New Zealand Albums Chart^[124]	6
UK Albums Chart^[125]	42
US Billboard 200^[126]	4
US Billboard Top Country Albums^[127]	1
US Billboard Digital Albums^[128]	4
Worldwide^[129]	2
Chart (2013)	Position
Australian Albums Chart^[130]	24
Japanese Albums (Oricon)^[131]	38
French Albums Chart^[132]	194
New Zealand Albums Chart^[133]	15
UK Albums Chart^[125]	27
US Billboard 200^[134]	2
US Billboard Top Country Albums^[135]	1
US Billboard Digital Albums^[136]	15
Chart (2014)	Position
Australian Albums Chart^[137]	96
US Billboard 200^[138]	106
US Billboard Top Country Albums^[139]	24

All-time chart[edit]

Chart	Position
US Billboard 200^[140]	140
US Billboard 200 (Women)^[141]	37

Certifications[edit]

Taylor Swift 1989 Album

Region	Certification	Certified units/Sales
Australia (ARIA)^[59]	4× Platinum	280,000^{^}
Brazil (Pro-Música Brasil)^[142]	Gold	20,000^*
Canada (Music Canada)^[143]	4× Platinum	320,000^{^}
China^[144]	2× Platinum	40,000
Denmark (IFPI Denmark)^[145]	Gold	10,000^{^}
France (SNEP)^[146]	Gold	50,000^*
Germany (BVMI)^[147]	Gold	100,000^{^}
Ireland (IRMA)^[148]	Platinum	15,000^{^}
Japan (RIAJ)^[151]	Platinum	256,442^[149]^[150]
Mexico (AMPROFON)^[152]	Gold	30,000^{^}
New Zealand (RMNZ)^[153]	2× Platinum	30,000^{^}
Poland (ZPAV)^[154]	Gold	10,000^*
Sweden (GLF)^[155]	Gold	20,000^{^}
Philippines (PARI)^[156]	2x Platinum	40,000^*
United Kingdom (BPI)^[158]	2× Platinum	600,081^[157]
United States (RIAA)^[159]	7× Platinum	7,000,000
Venezuela^[160]	Gold	5,000
^*sales figures based on certification alone ^{^}shipments figures based on certification alone sales+streaming figures based on certification alone

Release history[edit]

Country	Date	Edition(s)	Label
Canada^[161]^[162]	October 22, 2012	Universal Music
India^[163]			Standard
New Zealand^[10]			Standard deluxe
United Kingdom^[164]^[165]		Mercury Records	Standard deluxe
United States^[11]^[166]^[167]^[168]		Big Machine Records
	December 4, 2012		Vinyl LP
	February 5, 2013		Karaoke CD+G/DVD
Italy^[9]^[169]	October 23, 2012	Standard deluxe	Universal Music
Australia^[170]
Spain^[171]^[172]
Japan^[173]^[174]	October 24, 2012
Netherlands^[175]^[176]	October 25, 2012
Germany^[177]^[178]	October 26, 2012
Thailand^[179]^[180]	October 27, 2012	Deluxe
Thailand^[179]^[180]	October 31, 2012	Standard
France^[181]^[182]^[183]	November 5, 2012	Mercury Records
France^[181]^[182]^[183]	April 22, 2013	Mercury Records	Limited CD/DVD
Philippines^[184]	November 5, 2012	Standard deluxe	MCA Music Inc.
Indonesia^[185]^[186]	November 5, 2012	Standard	Universal Music
Indonesia^[185]^[186]	February 28, 2013	Deluxe	Universal Music
China^[187]^[188]	December 31, 2012	Standard	Universal Music
China^[187]^[188]	May 25, 2013	Deluxe	Universal Music